"Imagination is the highest kite one can fly." lauren bacall, American actress
Books I'm Reading
Thursday, April 14, 2022
Fertile Acres Brown Swiss Farm
Friday, April 8, 2022
A Charmed World
At one time, the world as I knew it, was an amazing place with unlimited room for unexpected, out-of-the-ordinary things to happen. It was a long time ago. It was before I went to school. Before I suffered my first big disappointment. Before I found that my dreams of flying were nothing more than that, only dreams. Before I learned that someday I would compare myself to others and find myself wanting. It was my true and real world as a child. The only world that mattered.
Childhood was glorious in its simplicity. For most of us anyway, and I wish I could say that it was true for all of us. I didn't know how glorious it was at that time, of course. No one does. It's only later, in reflection, that we can think back and realize, "Well, wasn't that just a great way to start off in the world? Me, as a kid? In fact, it was nothing short of genius."
This was my world. I was short. I slept in a very large crib in mom and dad's bedroom. I could easily crawl out of it. My house was populated by tall people. Mostly long-legged girls...soon to become young women but I didn't know that at the time. In my world, they would always be exactly the way they were in my first awareness of them. No more surprising than my place at the supper table where I stood to eat. There weren't enough chairs for all of us. Two parents, one grandmother, and seven children required an awful lot of chairs. More chairs than I knew how to count back then. And clearly, one more chair than we had. This was neither a good thing nor a bad thing. It just was. Just like the houseful of tall people around me.
None of the other children in my pre-school Sunday School class had a whole raft of those tall people living in their houses with them, and you know what? I felt just a little bit bad for them. Figured their houses must have been rather empty. Maybe quiet and dull. I had no idea. What if I were the oldest in a family? Or the second to oldest? I wouldn't know how to behave, I thought. Good thing I was last.
In addition to the long-legged girls in my house, my world was populated with a tall, curly-headed boy with exceptionally long arms. The others were referred to as Sisters, but he was a Brother. I thought it was probably good that I had only the one. As near as I could figure, he'd been granted the unique job of making things challenging for me. Apparently, that was what a Brother did. None of the other tall people caused me trouble in any way. In fact, everyone else was pretty nice to me.
In my world, everyone had a job. That seemed to me to be as it should be. Everyone was busy. There were very few disagreements about whose turn it was to do what was asked of them. Maybe a little bit of grumbling by whoever dried the dishes. But that was because when my grandma washed, she liked to pour hot water over the dishes in the drainer, just when they were nearly dry. Some of the Sisters were annoyed by that. I figured grandma knew best.
Mom's job was to cook and clean and do the laundry. She hung the wet clothes out on the line all year round. Her fingers turned red and chapped in the winter especially. She canned peaches and blackberries and vegetables, but it was the peaches and blackberries that were important to me. She fried fish at least once/week and once in a while, made liver, which I could smell from upstairs. She made eleven loaves of bread each week. We had mashed potatoes when we had company, which I would have liked a little more often. In her spare time (meaning, in the evenings while the family watched TV) she made us popcorn. And then she sewed. Often late into the night. There were a lot of us to sew for. Once in a while, I found her napping. I tried not to wake her by tiptoeing into her room very quietly so that I would only wake up one of her eyes.
Dad's job, of course, was making the farm run. He decided things and told us at the supper table what was next. There was no arguing about any of that. When he said, "Well, let's get outside, then," the other tall people got up and went out, too. When it was time to work, it was time to work. Dad milked cows morning and night and three or four of the other Sisters and Brother did, too. Dad could do almost anything on the farm, it seemed, except that he called a neighbor if the tractor needed fixing. He always wore overalls and a straw hat and a white shirt in the summer. He was good to the cows and the pigs and I knew he loved horses even though we didn't have any. He built fences and blew up a stump with dynamite which was really exciting. He could be stern but he made jokes too. When he whistled, we knew he was happy and that made me happy, too.
Grandma's job was to help with cooking and canning and shelling peas. In the summer, she lived in a separate little house on the next farm. I think she liked having her own place. I stayed overnight sometimes and got to pump water at the cistern. We went to sleep when it started to get dark, so we didn't have to use the kerosene lamp. She took me into the woods with her to pick walnuts and she carried a big long stick in case we came upon a rattlesnake.
With a houseful of big Sisters and one Brother, there were a lot of things that we could do that would have been nearly impossible at the homes of other kids. Softball, for example. We had enough young people on our farm for a pitcher, a catcher, two runners and two outfielders, while the seventh of the clan (me) would have been the cheering section. (Bats are heavy for four-year-olds.) And in my gilded world, I would have been allowed to run the bases alongside the batter. I admit it was a charmed world.
Wednesday, February 16, 2022
The Bones of the Plot
"I bet it took a long time to write that book," she said to me. Do I count the time "just thinking about it?"
I've read a lot of articles about the manner in which different authors write a book: Some people map out the entire book in a detailed outline before beginning. Organized people. Some folks write the ending of the book first. They work backward from there. And other people write "by the seat of their pants." They are called "pantsers."
While I am not a fan of the term, I guess I'd have to say I'm a "pantser." I had only a vague outline in my head, and I certainly did not know how the story would end when I began writing. It's not much of a strategy and I don't recommend it, but it seemed to work for me.
Before I began to write I spent a lot of time fleshing out the characters in my head. We were living aboard Northern Star, our sailboat, at that time. In my limited experience as a writer, there is something about a fresh breeze and the boat slicing through the water that clears my head enough to envision make-believe characters.
I thought about the main character first, a protagonist. Who was she? (It had to be a "she," since that is the gender with which I have experience). How old was she? What did she worry about? Why? What did she want? What made her afraid, hopeful, sad, laugh? How did she feel about being the subject of a book? (On that point, the protagonist would remain completely moot throughout the writing). Only after I had a pretty good idea about who that person was did I start thinking about the people in her world.
I found it difficult, however, to imagine the other characters without first imagining where they existed in the world. Without having the setting of the book in mind, my characters just couldn't come to life. I couldn't find them. I was forced to set aside thinking about the characters for a time to think about the setting. I thought real hard. No matter how I tried to expand my thinking, I kept returning to the topography of my childhood. Tidy little farms perched atop wooded bluffs in southeast Minnesota. Many friends and family members asked me whether my book was going to be about sailing which, of course, would have necessitated the "where" to be on the water. Nah. I'd blogged about sailing for nearly five years in withwaterbelow.blogspot.com. I didn't think I had much more to say about sailing. I realized after the book was written, however, that the title of Driftless made some folks think that I'd changed my mind and wrote about sailing anyhow.
When was my character alive? Placing her in current day Minnesota just didn't seem right. For one thing, I did not want to write about COVID. And I haven't lived in my childhood landscape for many years. In my head, the way things were on the farm when I was a child is the way things still are, or the way they should be anyhow. A lot of things have changed, but I like remembering farming as it once was. I've always liked historical novels, so I wanted to place my story in the past. I can hardly keep up with the present as it is. Since I've needed to have young people demonstrate how to operate my computer, phone, TV... pretty much anything that has buttons and requires a plug-in, the past seems a safer time period to write about.
With those details settled, I still needed to discover what the story would be about. That was the toughest part of all. What would be the plot? What was going to go on with this person and her friends/family in that time and place? There were a lot of scenes that I wanted to write about, but the scenes that I envisioned were not "theme worthy." They were just background snippets relative to the time and place. Rural Minnesota, dairy farm, playing in the haymow, fieldwork, wooded hills, and valleys, and cold spring-fed creeks. Images from my childhood. But what would really happen in this story?
I scoured my later life experiences for topics. I'd spent my career working with patients...with people that don't typically end up being written about. Chronic illness, congenital disorders, and traumatic injuries have not been popular topics in books but they should be, I decided. All around us and among us are people who live with physical, emotional, and mental illnesses or disabilities. I figured that some of those folks should have a place in my story.
With those people in mind, it seemed I was closing in on a plot. Sort of. I started to write some scenes. They were background scenes. "Background," as in scenes that would take place while the major plot was unfolding. My childhood memories and the memories of my siblings just had to find a place to fit into the story. But still, what was the real plot going to be?Then one day, while yet living aboard Northern Star, I thought about some of the genealogy research that I'd done in years past. I had explored my maternal and paternal ancestors as far back as I could go. My inability to read Norwegian records was a limiting factor for that side of the family. I enjoyed the genealogical study so much that I went on to research my ancestor's siblings and their families, too. One day I came across a distant relative, a young farmer with a wife and two small children living somewhere in southeastern Minnesota. I found the record of his commitment to Rochester State Hospital, Rochester, Minnesota in the early 1900s. I looked at the next few censuses, hoping to find him living at home again, with his family. As far as I could tell, he never returned home to live.
As a medical social worker, I already knew some of the history behind those enormous state hospitals and other institutions that housed folks with physical and/or mental differences. Those massive institutions were being shut down in the 1950s because that is when psychotropic medications were developed and implemented. Therefore, thousands upon thousands of patients were discharged to community settings—home with family, or foster homes, group homes, or supervised living, but before that? A very different story.
What would it have been like for a child to have a parent sent away to a state hospital to live, perhaps never to be seen again? What would happen to the spouse? What was life like for the patient in the mental hospital?
And that was how the book began. The bones of the plot were unearthed in 2019. Driftless was published in July 2021 as an eBook and the paperback was published in September 2021.
"Oh, ya," I nodded. "It took a while."
Monday, January 31, 2022
The Sales Pitch
What comes after a book award? I'm trying to figure that out.
One thing, however, came immediately after the award--a sense of obligation (to the book) to sell it. Even though I am not a salesperson. Even though I don't enjoy pitching products. Never have.
You see, I worked in a fabric store once. It was many, many years ago before I started graduate school in social work. Although I am a capable seamstress who enjoys picking out just the right fabric for a project of my choosing, I was not by any means, the ideal employee for that fabric store. In fact, I quickly grew to detest selling fabric.
The store was one of those fancy fabric stores (I rather doubt they even exist anymore--haven't seen one like it for decades) where the employee is not a "sales clerk." Oh, no, no...that would be far too paltry a title. I was hired to be a "customer service specialist." The pay was minimum wage, but I was assured that I could double or even triple my take-home pay in commissions. I'm hyperventilating now just thinking about it.
I was trained by a silver-haired, perfectly coiffed woman in her fifties or sixties. I had little ability to guess the age of my elders in those days. I don't remember her name, but I'll call her Dorothy because it feels right. No doubt Dorothy had had her colors "done" which was quite a popular thing in the 1970s and 80's. She was, unequivocally a 'Winter,' absolutely stunning in her deep reds and purples, vibrant greens and blues. How I envied her color palette. Sometimes I caught sight of the two of us, side-by-side in one of the store's large mirrors. I tried not to look startled when her richly colored, impeccably tailored clothing in close proximity to my skin made me look sallow. As if I ought to crawl into bed and drink chicken broth until I'd regained my health. Yes, my co-worker, Dorothy was indeed a striking figure. No slouching, freshly applied lipstick after lunch, and always walked like she knew just what she was doing. Which, it turned out, she did.
Alas, I was a 'Spring' and for a long while, mistakenly thought I was a 'Fall ' which prompted me to wear browns and rusts and golds, entirely wrong for me. As a 'Spring' I was relegated to cool reds and clear blues. I wore my assortment of pull-over sweaters from my college days along with all those leftover mistakes from my 'Fall' days and a dark-colored pair of pants. I rarely wore make-up. As opposed to Dorothy's shiny hair that may or may not have been molded to her head, my hair was a disaster. Thick and curly, even wiry, with a determined mind of its own. No doubt I slouched too, as tall girls sometimes do, in hopes of appearing shorter.
My job was to greet shoppers as they entered the store and ascertain the purpose of their visit. "What is the darling project you have in mind today? May I see your pattern? Oh, yes, that will look just lovely on you. What color do you have in mind?" Then (and this was where I failed miserably) I was to show the customer a selection of fabrics that would be ideal for her pattern (and skin tone) and sell it to her.
Dorothy had demonstrated this to me many times. With her captured customer in tow, she walked directly to the correct aisle where the perfect fabric was waiting. With a bullfighter's flourish of her manicured hand, she unrolled the top of the bolt and proudly displayed the fabric between the customer and herself. She had perfected a facial expression that she unrolled for display at the same time. It said, "Here it is! This is just the thing! This will be beautiful in your pattern. I am so thrilled to be able to show it to you. You will love it!" Truly, Dorothy had a very expressive face.
If there was a day when Dorothy did not make the sale, I didn't see it. Customers obediently followed her to the aisle of Dorothy's choice, and her confidence in her chosen fabric was infectious. How could a customer decline such an obviously perfect choice? Dorothy was, indeed, what you would call an expert sales clerk. Excuse me-- an expert "customer service specialist."
| Driftless on Amazon |
Dorothy taught me a few lessons. The most important one was that I was not destined to be a salesperson. Even so, I'll continue to cart my book here and there to independent bookstores and I'll say,
"I am an author and I've written this book." Then I place a copy of Driftless on the counter. "It's a historical novel and it won an award. Perhaps you'd consider carrying it in your bookstore?"
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"What's it about? Well, it takes place in Minnesota but not the Land of 10,000 Lakes part of Minnesota. The bluff country of Minnesota. The characters are farm families in the 1940s. A few of them speak Norwegian."
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"Why? I guess they like their native tongue."
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"Oh. No. They'd lived in this country since the 1870s--they're fifth and sixth-generation now, well, third-generation in the 1940s, in Driftless."
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"No, no car crashes I'm afraid. No gunfights. And there's a young woman, a mother, who develops a mental illness and has to be sent away to a state hospital."
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"Yes--that part is sad, tragic even, but it's more than that. Most of the reviews about Driftless are glowing with praise for the book."
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"Yes, frankly I'm astonished, too. But well, there it is."
Saturday, January 16, 2021
Minnesota Kind of Fun Facts
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| Lake Superior from south of Grand Marais, Minnesota |
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| Goin' fishing before breakfast, Bass Lake, northern MN |
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| Delphiniums growing wild along roadsides |
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| Moose Cow, northern Minnesota |
Tuesday, January 12, 2021
COMING: Spring of 2021
NOW PUBLISHED!
Monday, January 11, 2021
Extra, Extra. Read all about it. "Immigrants Settle Norwegian Ridge"
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The travelers would have come to a small mountain range their first day on the train. While it looked nothing like their homeland, the topography of the Appalachians was likely rather pleasing, but all of that land was already taken. In my imagination, the vast plains that they crossed after the mountains were disheartening. They probably talked with each other about how flat the land was, and how enormous the country was. They may have asked each other, "What do you think it'll be like in Minnesota?"
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| On a road approaching the Mississippi River, southern Houston County |
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| original Brevig homestead, est. 1870 |
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| A valley of eastern Houston Co, |
| The town of Spring Grove is on the far horizon |
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| Root River flows through this valley to the Mississippi. |













